Hawk Nelson - Hawk Nelson Is My Friend
It’s a bit too easy to make fun of Tooth & Nail Records these days. They’ve spent most of the ’00s relentlessly straddling the line between being accepted by both the Warped Tour and youth pastors. And while that’s a noted accomplishment to be sure, they have settled upon a rather comfortable formula for how they attract and market the bands on their roster. I’m going to play the old guy card here - the “I remember when back in the old days…” card - and talk to you about the Tooth & Nail that I grew up with. This was a label that contained all manner of styles and sounds, refused to pander to Christian radio stations and magazines, and distributed to stores via small shipping companies (as opposed to their current EMI deal).
Bands like Frodus, Havalina, Blenderhead, Roadside Monument, Puller, and Living Sacrifice released albums to adoring, albeit small, fanbases. This was the label that launched the careers of national touring acts like MxPx, Zao, Mae, The Juliana Theory, and Underoath, while diligently cultivating the music of Starflyer 59 and Joy Electric. But it seems that all of that has changed within the past five or so years, in that, T&N is content to be a version of Vagrant Records or Drive Thru Records that kids don’t have to hide from Mom and Dad. “But these guys are Christians!” kids can proclaim, and then display album lyrics to said parents in order to gain approval for their music. All this from the label that originally never really worried about whether or not their music satisfied the “Jesus-Per-Minute Quotient.” The edge is gone, or it’s manufactured to appear like it has an edge.
So, when I hear the music of Hawk Nelson on their new album Hawk Nelson Is My Friend, I get a little bit misty-eyed, mostly because nothing really sticks in my musical craw. The songs all tend to sound the same - the tempo, meter, rhythm, and subject matter tend to vary little across the 12 tracks - and lack a definitive identity. These Canadian boys are yet another link in the T&N chain: another band of fresh-faced guys in their early 20’s who play music that’s easily accessible and is comprised of non-offensive pop, punk, emo, and rock riffs. Is there anything really wrong with those sounds? Not necessarily, but there’s certainly nothing distinctive about the bands that produce such sounds.
Admittedly, these are fun, catchy, upbeat songs, filled with energy and lyrics that are easy to sing with a crowd, the hallmarks of the pop-punk style. Selections like “You Have What I Need” and “Ancient History” easily stand out because they have the most substance and swagger. The album then dips a bit before hitting a plateau with songs like “Friend Like That,” a plaintive cry for real friendship (how non-punk is that?!?), “Turn It On,” a call for musicians to write songs that can get listeners moving (though this song isn’t one of them), or “Just Like Me,” the thematic flipside to “Friend Like That,” complete with an appeal for everyone to reconcile relationships that have gone sour. Where the album really falls apart is when the band attempts to grow up and display a more sensitive side by writing some heartfelt ballads. From “One Little Miracle” and its plea for everyone to work together to help fix the world to “Somebody Else,” where the singer agonizes over the fact that his friends have noticed that he’s not the same person he used to be, the songs come across as tired attempts to garner some Christian radio airplay.
And that’s the problem with Hawk Nelson Is My Friend in its entirety. It’s not that these aren’t beautiful themes that aren’t worth singing about, but other poets and songwriters have expressed such thoughts with more poignancy and melodic depth than Hawk Nelson is able to convey. It is admirable that the band eschews the standard “boy meets girl, boy loses girl, boy must sing about his pain” emo-pop formula, but, in typical contemporary Tooth & Nail fashion, the record sounds safe - safe sounds, safe songs, safe band - and safety was, is, and always will by musically unattractive.

Posted on March 10, 2008 12:14 AM




Comments
adam - this was, in all honesty, one of my most enjoyable reads of one of your reviews. you held nothing back but did it in a charming APN manner.
I...actually didn't know tooth and nail still had a label (and I don't think I'm alone there).
kudos.
Posted by: matty mckechnei | March 11, 2008 7:24 AM
aww, i used to like hawk nelson back in the day....
Posted by: Stephanie Nikolopoulos | March 11, 2008 12:54 PM
I agree that T&N has lost that special touch it once had. And I most certainly agree that Hawk Nelson is nothing to rave about. However, I still think T&N is producing some good stuff in artists like Anberlin, Emery, and the recently-signed The Glorious Unseen. More corporate? Yes. But they've still got a niche that's all their own, and they're making art that's worth listening to.
Posted by: Matt | March 11, 2008 11:04 PM
3 comments on my review?!? I haven't had this much action on one of my reviews since my Radiohead piece.
Matty -- Thanks for your kind words. They are appreciated.
Steph -- I worked for 6 years in a Christian book/music/crappy gift store. There's nothing about Hawk Nelson that has ever been remarkable (beside the fact that they're Canadian Christians making barely average pop-punk).
Matt -- I would agree with you regarding T&N's niche in this sense: most of T&N's best material comes from their Solid State imprint. Their metal & hardcore bands regularly receive solid reviews on many mainstream metal publications, including bands like Demon Hunter, Becoming the Archetype, Norma Jean, Underoath, and The Chariot.
Posted by: APN | March 12, 2008 9:36 AM